When physical CD singles are available no more – what moral quandaries does that put us in, as music fans?
Popjustice recently adressed the dilemmas facing the contemporary music consumer who loves songs – that is, individual tracks, not albums – and the novelty, galore and fascination of hits. When faced with the fact that new music is only commercially available in lossy, intangible and non-lasting formats, what position does that put us in as consumers – if owning a decent copy of the song itself is what interests us?
Off the top of our heads, here are some things that spring to mind on this topic.
» What constitutes ‘owning’ a song?
» If you can’t see or hold something is it worth spending money on?
» Does that question alter if what you’re spending money on is something you only intend to listen to? Read the rest of this entry »
